Grace Bassey is tired of the outdated way African countries are often portrayed on American screens. So when the trailer for Beyoncé’s new visual album emerged on Twitter with imagery Bassey found stereotypical – face paint, feathers, animal skins – the Nigerian college student responded with images of highways, skyscrapers and yachts. At a time of global reckoning over race and representation, the 70-second trailer for “Black is King” – a film inspired by the superstar’s work on the 2019 Lion King remake – has sparked backlash abroad. The project is set to the soundtrack that Beyoncé produced last year, which features artists from Nigeria, South Africa, Ghana and Cameroon.
SOURCE: MY SAN ANTONIO
More Stories
A Great Recognition for the Work of Female Peace Builders in Cameroon
Could An Online Gathering Solve South Africa’s Putin Problem?
Calls For African Countries to Create Champions in Key Sectors
Times Higher Education Impact Ranks University of Johannesburg as on Track to Reach SDGs
Ghana’s Appetite for Hand-me-downs Ends Up in Crucial Waterways
Lilongwe is Taking a Closer Look at Who is Granted Asylum
Tanzania and Australia Forge Closer Ties in the Mining and Energy Industries
Kenyans Bemoan Plans to Raise Taxes
Building a Dynamic Ecosystem of Innovative Entrepreneurs and Startups in Libya
What Happened to Cause Musicians to Leave Ethiopia?
Rukky Ladoja & Building a Responsible Nigerian Fashion Brand
How to Write About Africa: Collected Works’ Shows Binyavanga Wainaina’s Legacy